Belinda Murray
Unforgotten
This work explores how we remember our loved ones who are no longer living. It considers the way objects are linked to memories. Shrines are places for reflection often including offerings that will fade such as flowers, food and valued possessions. In Buddhist temples located in Bhutan deep within the Himalayas, huge unfired Kusa statues have been fashioned using unfired clay for centuries. I choose to build this piece over one meter in height with raw terracotta clay to reflect the ephemeral nature of life. I modelled decorative sprigs in white stoneware that are inspired by botanical motifs. I’ve been influenced by contemporary ceramic artists that use these techniques paying homage to the traditional Jasperware popularised by Wedgewood. Working and placing this piece on my allotment echoed the cycle of life: growth, decay and fragility. My creative process was reinforced in this earth-based environment, where I cultivate nature with my hands. With no electricity the work was contingent on natural warmth and light. I was content and absorbed coiling and molding repeatedly and methodically, as if part of a ritual. In these actions I was reminded of the Bhutanese, who follow the Buddhist tradition that is minimally affected by consumerism and measures success in terms of happiness.
